Music for Aliens (2024) for ensemble and nine ocarinas
written for Talea Ensemble
/ premiered at the DiMenna Center for Classical Music, NYC / ca. 11’
Polka is a Czech Dance (2023) for ensemble, electronics, and video
written for Spółdzielnia Muzyczna Contemporary Ensemble
/ premiered at the Darmstädter Ferienkurse 2023, Darmstadt, Germany / ca. 14’
Aquí (2023) music for a dance performance
written for Gabriela Burdsall
/ premiered at the Fábrica de Arte Américas, Denver, CO / ca. 18’
Fungible Memories (2023) for string quartet
written for Mivos Quartet
/ premiered at the Tenri Cultural Institute, NYC / ca. 11’
Waterfalls (2022) for marimba, violin, objects, and electronics
written for Julianna Kamila Siedler-Smuga and Wojciech Koprowski
/ premiered during Audio Art festival in Kraków, Poland / ca. 16’
With rings on her fingers and bells on her toes (2022) for percussion quartet and DIY instruments
written for MATA Jr. 2022
Derrotero (2022) electronic music for a theatre play developed by Gabriela Burdsall and William Ruiz Morales
/ premiered at the Kinosaito Arts Center in Verplanck, NY /
We are different; we are all the same (2022) for ryūteki, hichiriki, and shō
written for the closing concert of the Mentor/Protégé Gagaku Summer Program
/ premiered at Senzoku Gakuen College of Music / ca. 9’
Restless (2022) for large ensemble and soprano solo (text by William Ruiz Morales)
written for the International Contemporary Ensemble
/ premiered at the DiMenna Center for Classical Music, NYC / ca. 12’30’’
No gentle caressing (2021) for ensemble (violin, viola, cello, double bass, clarinet, trombone) and Alois Haba’s 6-th tone harmonium
written for Miroslav Beinhauer and Ensemble for New Music Tallinn
/ premiered during musikprotokoll festival in Graz, Austria / ca. 10’
Trinity of selves (2021) for video, four performers (violin, viola, cello, electric guitar), playback and live electronics
Collaboration project with choreographer Gabriela Burdsall, cinematographer Gilliam de la Torre, and animation artist Izumi Yoshida
written for Distractfold
/ premiered online during Columbia Composers Digital Premieres / ca. 10’
Fever dream made manifest (2021) for vocal sextet (soprano, mezzo-soprano, contralto, tenor, baritone, bass) and playback
written for Ekmeles
/ premiered online during Columbia Composers Digital Premieres / ca. 10’
Zansei 残生 (2020) for flute solo, video, playback, and live electronics
Collaboration project with animation artist Izumi Yoshida
written for Ania Karpowicz
/ premiered online during Sacrum Profanum festival / ca. 9’
Sugar, Spice & All Things Nice (2020) for five performers (violin, violin, accordion, piano, percussion) and playback
written for the Formy Żeńskie / Feminine Forms project
/ premiered at the 63rd Warsaw Autumn festival / ca. 10’
The Garden (2020) interactive VR installation for Windows 10 and MacOS
/ official release on the Living Away festival website in July 2020 /
howto jouïssance (2019) for video, electronics, and harpsichord
written for Gośka Isphording
/ premiered at Q-factory in Amsterdam, the Netherlands / ca. 12’
Still Life #31 (2019) for electronics, four performers (flute, clarinet, harp, percussion/electronics) and objects
written for Ensemble Adapter
/ premiered during Klangwerkstatt festival in Berlin, Germany / ca. 15’
SINGLE PLAYER v.3 Three for All (2019) for video and two performers (electric guitar, snare drum)
written for The Third Guy
/ premiered at werkplaats walter in Brussels, Belgium / 12’–15’
The Garden of Mindfulness (2019) electronics, four performers (speaker, violin, clarinet, piano) and objects
written for ErämaaTrio
/ premiered at Koen-dori Classics in Tokyo, Japan / ca. 15’
5 Secrets to Making New Music (2019) for video, electronics, and mixed ensemble of 4 performers: violin, flutes, saxophones, Hammond organ
written for Hashtag Ensemble, commissioned by Centre for Intercultural Creative Initiatives “Crossroads”
/ premiered at KODY/CODES festival in Lublin, Poland / ca. 15’
Horror Project: Yuggoth (2018) for live electronics, live video processing and 3 performers: clarinet, cello and percussion. Collaboration project with animation artist Izumi Yoshida
/ performed at De Bijloke Muziekcentrum in Ghent, Belgium / ca. 15’
uncanny valley (2018) for video and 4 performers: flute, accordion, percussion and live electronics
/ premiered at Musica Polonica Festival in Wrocław, Poland / 12’
The Final Girl (2018) for female harpist, video and live electronics
/ premiered at Royal Conservatory of Brussels / 9’30’’
Almost.EVERYTHINGHAPPENStwice (2017) collaboration project with choreographer Klaas Devos for 2 musicians, 2 dancers and electronics
/ performed during the Cuban-Norwegian Theater Days in Havana, Cuba / ca. 20’
SINGLE PLAYER v.2 co-op (2017) for two performers and video: gran cassa and props, synthesizer
/ premiered at deSingel in Antwerp, Belgium / 7’
And Elsewhere. (2017) for 15 musicians: 2fl., cl./b.cl., s.sax./bar.sax., s.sax./a.sax., tpt., hn., 2tbn., tba., egtr., bgtr., pno., perc., sop. (soloist)
/ premiered at the YCM in Apeldoorn, the Netherlands / 3’
Almost.EVERYTHINGHAPPENS (2016) collaboration project with choreographer Klaas Devos for 5 musicians (fl., cl., vln., vlc., pno.) and 5 dancers
/ premiered at P.A.R.T.S. school of dance in Brussels, Belgium / ca. 37’
SINGLE PLAYER (2016) video score for 6 improvisers
/ premiered at P.A.R.T.S. school of dance in Brussels, Belgium / 12’48’’
De Tempelberg (2016) for baroque orchestra: 2fl., 1ob., 1oda., 2bn., 6rec., 4ob.; 2hn., 1tpt.; perc (II): b.d., ch.gng., crot., wb.; archlt; 2 soloists: col., bar., 2 chor: SCtTB; 3hpd., 14vln.I, 11vln.II, 7 vla., 5vlc., 3d.b.
/ premiered at the Muziekgebouw, Amsterdam / 15’30’’
BCHPbVNF (2015) for piano solo / 4’20’’
Belgian rare groove & breakbeat (2015) for marimba and electronics
/performed at the Royal Conservatory of Brussels / 11’08’’
13
/ performed at the Royal Conservatory of Brussels / ca. 7’
Concerto for marimba and orchestra (2014) version for marimba solo and tape
/ performed at Royal Conservatory of Antwerp / ca. 13’
Mångata (2014) for alto, cello and piano / 10’40’
Mållös Mångata (2014) for violin, cello and piano / 10’40’
Efflux (2013) for symphonic orchestra: 3fl. (III=picc.), 3ob. (III=eh.), 3cl. (III=bcl.), 3bn. (III=cbn.); 4hn., 2tpt., 2trbn. (II=brbn.), tba.; perc (III): b.d., cym., t-t., t.bl., glsp., xyl., vib.; hp., pno., 14vln.I, 12vln.II, 10 vla., 8vlc., 6d.b. / 11’47’’
Musique est que des nuages (2013) for 14 wind soloists
/ performed at the Royal Conservatory of Brussels / 11’
Quartet for Strings (2012) for koto, guzheng, guitar and piano / 8’
Quatuor (2012) for clarinet, violin, cello and piano
/ performed at the Musica Moderna Session, Lodz / 10’
Entropia (2011) for percussion quartet / ca. 15’
/ performed at the Musica Moderna Session, Lodz / ca. 11’30’’
Concerto for marimba and orchestra (2011) for marimba solo, fl., ob., cl., bn.; hn., tpt., trbn.; t.bl., bs, dr., xyl.; hp., 8vln.I, 8vln.II, 6vla., 4vlc., 2d.b.
/ performed at the Lodz Philharmonic / ca. 13’
Spells (2011) (lyrics: Simon Simonides) for mezzosoprano, harp and bassoon / ca.12’
No name (2010) for violin, viola, cello and double bass / ca. 13’
Triptych ‘Final Judgement’ (2010) (based on Hieronymus Bosch paintings) for soprano, alto, tenor saxophone and amplified cembalo
/ performed at the Musica Moderna Session, Lodz / ca. 8’
Four Haiku (2009) (lyrics: Matsuo Basho, Yosa Buson, Kobayashi Issa) for mezzosoprano, flute traverso and marimba
/ performed at the Musica Moderna Session, Lodz / ca. 4’30’’