My new electronic and acoustic composition, created for a concert-installation and five performers, premiered at the Polin Museum of the History of Polish Jews on December 19th, 2024.

My piece from 2019 for harpsichord, playback, and live electronics, written for Gośka Isphording, received another performance on November 24th in Kraków, Poland.

I recently returned from a stimulating and inspiring trip to Chicago for the American Musicological Society (AMS) Annual Meeting 2024. 

I’m thrilled to announce that I am among the five winners of this year’s Hildegard Commission.

I’m grateful to Spółdzielnia Muzyczna Contemporary ensemble for performing “Polka is a Czech Dance” for the fourth time (Darmstadt, Warsaw, Kraków, and now Wrocław) since its premiere last August.

I just returned from a wonderful residency with the K!ART Ensemble in Copenhagen, Denmark.

I’m still thinking about the electryfying premiere of “Music for Aliens” with Talea Ensemble at the DiMenna Center for Classical Music on April 6th.

Next Friday, I’ll be in Kraków for the Sacrum Profanum Festival in Kraków, where Kuba Krzewiński will perform my scene for a violinist “on the other side”.

Next Friday, Julianna Kamila Siedler-Smuga will perform Belgian Rare Groove and Breakbeat, a piece I wrote for her doctoral dissertation some years ago. I’m happy that this piece will be featured at a festival very dear to me, in one of my hometowns – Łódź. Julianna and I have...

I’m excited for my electronic piece 「遠くから運ばれる微かな声」(roughly translated as “A faint voice carried from afar”) to be featured at the Sonic Matter Festival, taking place December 1-3 in Zürich, Switzerland. I made this piece in 2019 as part of my garden series 2019-2024 (24-speaker installation, an acoustic piece, a...